Padfield, Tim.
Copyright
for Archivists, 2nd Edition. Facet Publishing, 2004. (ISBN:
1-85604-512-9). This is a handbook for archivists and users of archival
materials that seeks to set out the statutory and case law in a readable way.
By kind permission of the author, these flow charts:
Stokes, Simon. Art & Copyright. Hart Publishing, 2001.
(ISBN: 1-84113-225-X). This is the first text to examine in detail the
intellectual property rights protecting artistic works and artists' rights
generally in the United Kingdom. This book is helpful for all those working in
the arts.
McClean, Daniel and Schubert, Karsten (eds). Dear Images: Art,
Copyright and Culture. Ridinghouse/ICA, 2002. (ISBN: 1-900300-37-0
[ICA]; 0-9541710-2-0 [Ridinghouse]). This is an edited book providing
articles by academics, artists, museum professional, publishers, legal
professionals and art galleries/dealers. It provides a backdrop to copyright
within the 21st Century and in particular highlights the relationship of
copyright to digitisation and the Internet.
Stokes, Simon. Digital Copyright: law and practice.
Butterworths/LexisNexis, 2002. (ISBN: 0-406-94702-3) This book provides
an insight and practical guidelines to set the new legislation relating to
digitisation within the context of existing copyright law. This book is useful
for New Media managers, content owners and all those working with digital
assets.
mda copyright factsheets
Copyright
Basics Digital
Copyright Copyright for
Collections These resources have been produced by mda in
response to key questions about copyright posed by professional working with
collections. They are presented in a user-friendly fashion which focus upon the
practicalities of adhering to best copyright practice.
Zorich, Diane. An Introduction to Managing Digital Assets,
1999.
http://www.getty.edu/bookstore/booksites/intro_mda/splash.html This
publication available online, examines some key issues relating to the
management of digital assets and in particular the relationship between them and
Intellectual Property Rights. Although written from a US perspective, the
majority of the issues covered are relevant to other global audiences.
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