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- What does copyright mean to museums?
- Anything’s legal as long as you don’t get caught
- The law of supply and demand
- Licensing vs. legislation
- Where MDA comes in
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- Essentially, it means two things:
- We need to know whether what we are doing with our collections is legal
- We need to know what opportunities there are in our Intellectual
Property
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- Understanding copyright legislation is one thing, but how do we overcome
the ‘yes, but…’ element?
- What we sometimes need is a definitive answer from someone who has
either been in the same situation or knows more about it than we do.
- How do you know when the costs of
legal advice are justified?
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- First, a definition:
- Cultural content is….
- Knowledge, expertise, authority – basically ‘facts’
- Information created by museums
- Information created in response to museums
- Information about museums
- Digital or hard copy surrogates of things in collections
- Works created from, using or inspired by collections
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- So…that should be pretty straightforward, then.
- Except it isn’t….
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- SUPPLY
- Lots of individual businesses operating autonomously
- Patchy awareness of copyright in collections
- Concerns about loss of authority/control
- Concerns about impact of online use on real use
- Sustainability
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- Changes to law require concerted lobbying
- Long lead-times
- Competing interests with other well-funded lobbies
- Relative complexity of interpretation
- Licensing enables museums to make best
use of existing legislation
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- Working with the Museum Copyright Group
- SPECTRUM and Rights Management
- Copyright Essentials and Licensing Essentials training for museums
- Factsheets on Data Protection, Freedom of Information, copyright for
collections and digital copyright
- Direct advisory service covering copyright and licensing for museums
(telephone and email)
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- Nick Poole
- Director
- MDA
- 01223 415 760
- nick@mda.org.uk
- http://www.mda.org.uk
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